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| 目錄：
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第一章 中华美学精神的含义与渊源 ························ 1
一、中国文化想象：他者与自我之间·························· 1
二、中华美学精神与国家文化战略····························· 9
三、从中国艺术精神看中华美学精神························· 15
四、在中华美学精神与中国艺术精神的交接处············· 22
五、中华美学精神的当代传承及其意义······················ 24
第二章 中华美学精神与中国艺术精神的多元性
及现代转化 ············································28
一、中华美学精神与中国艺术精神的多元性和当代性····· 28
二、中国传统文化资源的现代转化···························· 33
三、红色经典与红色文化资源的现代转化··················· 41
第三章 中西美学的交互影响 ································48
一、西方美学的早期传播········································ 49
二、王国维对中国美学的发现·································· 66
三、 宗白华借助西方生命哲学对中国美学生命精神的
揭示···························································· 78
四、叶朗对中国美学意象本体论的建构······················ 99
五、西方现代美学对中国美学的借用······················· 106
六、西方当代美学与中国古典美学的相遇················· 110
第四章 中华艺术经典的海外传播 ·························125
一、《红楼梦》在海外的翻译和传播························· 126
二、“梁祝”母题的海外传播和跨文化传播················ 136
三、《茉莉花》的流传形式与海外传播······················ 149
第五章 当代文学中的中华美学精神 ······················162
一、以“天人合一”追求人文精神的最高境界············ 163
二、以精神独立而获个体生命自由··························· 169
三、以和谐辩证法给予生命终极关怀························ 174
四、经世济民的担当之美与现实生活的美学批判·········180
第六章 当代电影中的中华美学精神 ······················188
一、形与神：以形写神·········································· 188
二、隐与秀：隐在秀中·········································· 193
三、情与景：情景交融·········································· 199
四、虚与实：虚实相生·········································· 203
五、气与韵：气韵生动········································· 208
六、儒与道：儒道合流·········································· 212
第七章 当代美术中的中华美学精神 ······················216
一、全球化语境下的中国当代美术与传统·················· 216
二、中国当代美术对传统美术的承继与发展··············· 218
第八章 当代音乐中的中华美学精神 ······················243
一、先锋音乐的幽远回响······································· 246
二、新诗雅韵的中国歌唱······································· 255
三、中国乐派的美学精神······································· 260
第九章 当代创意设计中的中华美学精神 ················ 265
一、中国当代设计的美学溯源································· 268
二、创意设计与商品价值······································· 276
三、中国当代设计的创意之路································· 285
第十章 互联网时代中华美学精神传播的机遇与挑战 ··· 298
一、中华美学精神的主要载体是中国艺术·················· 299
二、互联网时代传播的基本特征······························ 300
三、技术演进对艺术生产方式的影响························ 302
四、中华美学精神在互联网时代传播的机遇··············· 305
五、中华美学精神在互联网时代传播的挑战··············· 306
六、中华美学精神在互联网时代传播的对策··············· 308
后 记 ····························································· 310
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