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| 內容簡介： |
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IbsenhasremainedapopulardramatistinChinaandhehasmadeanotablecontributiontoChinaintheprocessofitsmodernity.HewasoneoftheWesternwritersfirstintroducedintoChinaduringthestormyyearsatthebeginningofthe20thcenturywhenChinastartedtotransformitselffromafeudalisticnationintoamodernone。
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| 目錄：
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1．Ibsen：AContemporayBangladeshiPlaywrightAhmedAhsanuzzaman
2．Ibsen’SCompass：PointsofDreadandDesireAnneCharlotteHanesHarvey
3．OnPeerGynt：ACriticalReviewoftheAnnualPeerGyntPerformancein
Golaa，GudbrandsdalenAstridSather
4．NorwegianSuperman—or？WhattothinkasaNorwegianwhenIbsenhasgone
global，withJohnGabrielBorkmanasexampleBenedikteBerntzen
5．ADoll''sHouseandKramerVS．Kramer：ObjectionstoFamilyLawBjarneMarkussen
6．SomeObservationsonIbsen’STheWifdDuckCharlesKalish
7．TreadingonNewGround：AfricanAdaptationsof“ADoll’SHouse”CheelaFKChilala
8．FromSelf．10sttoSelf．realization—Ibsen’SNoraandChineseWomen’S
QuestforModernAiminChe？
9．Multi—receptionsofIbsenisminChina.FromMisinterpretationt0Innovation
LiangChen
10．InterculturalisminTheatreandtheChinesePerformancesofIbsenChengzhouHe
11．TranslatingIbsenin2009：AnApologyofLiteralityCristinaGomezBaggethun
12.DiscordandHarmonybetweenHumanandNature：AnEcologicalInterpretationof
TheLadyfromtheSeaDanniDai
13.TheRoleofWomenintheReceptionofIbseninFinlandinthe1880sand1890sH.K.Riikonen
14.InterculturalImplicationsofADoll''sHouse：ExperienceswithaProductionof
Ibsen''sPlayinMozambiqueHelgeRearming
15.TwoDissentingVoices：HaroldPinter''sMountainLanguageandHenrikIbsen''sA
Doll''sHouseIbrahimYerebakan
16.Ibsen''s"MasterBuilder"：AChurch，aHouse，aCastleintheAirJanetRoberts
17.TheCrisisintheSelfandtheSelfinTimesofCrisisJasminkaMarkovska
18.TheThemeof"Discussion"：Ibsen，ShawandDingXilinComparedJianSun
19.MappingEtdukkehjemJulieHolledge
20.IbsenandRabindranathMeetingPointsKazalKrishnaBanerjee
21.PeerGynt''sBoundarycrossings：TheGlobalMapofHisEmpiricalandMentalJourneys
KnutBrynhildsvoll
22.BeyondtheTarantella：RevisualizingPainandPleasureinHenrikIbsen''sADoll''s
HouseLauLeungChe，Miriam
23.TheInteractionofTextsandPerformancesofIbsen''sPlays——IbsenintheDrama
TeachinginShanghaiTheatreAcademyMinghouLiu
24．IbsenintheGlobalizedSociety：Multiculturalism—ortheLackthereof—inNorwegian
IbsenPerformanceLixianCheng
25．ReceptionofIbseninLatviaduringtheSovietOccupation（1940—1991）MaijaBurima
26．PostperestroykaReceptionsinStagingIbsenMargaritaOdesskaya
27．PlaybirdorFeatherbrain？MayBritAkerhoIt，
28．TranslatingInsen’SByggmesterSolnessintoRussianOlgaD．Drobot
29．SingularlyBound：HenrikIbsenandTheatricalSurvivalOliviaGu／2n
30．TheLadyfromtheSea：EmergenceFromMarineUnconscioustoAwakenedLivingRakesh
MohanSharma
31．Ibsen’SEnigmaVariations：Re—imaginingInterculturalPerformanceResearchRustom
Bharucha
32．TheUseofGunandtheMythofFreedomSabihaHuq
33．“PoliticalOrgies”：Ibsen’SPlaysandContemporaryBangladeshShaftAhmed
34．NorainADoll''sHouseandBangladeshPerspectiveShahMohammadSahaulkarim
35．VerfremdungseffektinMabouMinesDollhouseSusanMason
36.TheMakingofaWorldDramatist：IbsenandDetNorskeTheaterTanyaThresher
37.IbseninBengal（easternIndia）：NegotiatingDifferenceContemporaryBengali
RepresentationsofWhenWeDeadAwakenandTheWildDuckTapatiGupta
38.Ibsen''sUseofHolyDays：AnAmalgamofPhilosophy，PoetryandReligionTraustiOlafsson
39.IbseninNigerianTheatre：DramaticArtsDepartment，ObafemiAwolowoIleIfe，Osun
StateasaCaseStudyTundeBakare
40.GlobalizingNoraandTorvald：OyamO''sASelfishSacrifice—inChina？VictorCastellani
41.IbsenandUsigli.TwoCreatorsofaNationalTheaterVictorGrovasHajj
42.RethinkingIbsen''sMultipleInfluencesonModernChineseDramaYuliWang
43.ADoll''sHouseonChineseStageLanlanXie
44.FeministAwakeningandSelfdefinitionAComparativeStudyofFemaleCharactersin
ADoll''sHouseandJinPingMeiRulanYe
45.TowardaRediscoveryofIbsen''sNationalHistoricalPlaysinChinaXujiaZhou
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